the first European festival on creativity

2017 Programme

Event #37

Matteo Nucci, Valentina Carnelutti

The net of Eros. Reconquering

The passage through the erotic net is what the Greeks called poros, that is, the ford, the channel, the expedient, the resource. Sailing across the sea again, Helen and Menelaus finally find peace in the home they once had lost, reuniting in a romance that seems to be fueled by the desires of reason. It’s within an eros made of words and persuasion that Hera find Zeus after his uncountable betrayals. The expedient, the passage for escaping the net or freeing it and bringing it to life is the mark of perfect reunion. Poros is father to Eros, according to a myth told by Plato. And indeed, the great philosopher held that it is only when eros has travelled the entire body, from sensual desires to those glorious and filled with rage, eros itself and the soul in which it flows are finally capable of liberating their immense cognitive power.

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Foto nuova Nucci

Matteo Nucci was born in Rome in 1970. With Ponte alle Grazie Publishers he published the novels  Sono comuni le cose degli amici (2009, shortlisted at Strega Award), Il toro non sbaglia mai (2011), È giusto obbedire alla notte (2017, shortlisted at Strega Award) and the narrative-essay L’abisso di Eros (2018). He curated the new edition of Plato’s Symposium (Einaudi, 2009) and the narrative-essays Le lacrime degli eroi (Einaudi, 2013), Achille e Odisseo. La ferocia e l’inganno (Einaudi, 2020), Il grido di Pan (Einaudi, 2023). With HarperCollins he published the novel Sono difficili le cose belle (2022). His short stories were published in magazines, anthologies and eBooks. He collaborates with Venerdì di Repubblica, Specchio by La Stampa and l’Espresso.

carnelutti
Valentina Carnelutti

actress and author, nominated this year for the Nastro d’Argento, has been directed by M. T. Giordana (La meglio gioventù), T. Angelopoulos (La polvere del tempo), P. Virzì (Tutta la vita davanti, La pazza gioia), C. Maselli (Le ombre rosse), A. Orlando (Sfiorarsi) and many others. She is the author of  Sfiorarsi (A. Orlando) and of the film ReCuiem which she also directed. She also directed the documentary Melkam Zena in Ethiopia and the videoclip Le conseguenze dell’ingenuità.


All theevents2017


   

Event #1

Friday 1 September 2017, 05.45 pm

Elena Cattaneo

The networks that are good for science

Event #5

Friday 1 September 2017, 09.15 pm

Marco Albino Ferrari

Enchantment. From Val Grande to the polar icecaps

Event #6

Friday 1 September 2017, 11.00 pm

Alessandro Barbero

Clandestine networks. A network of spies: doctor Sorge in Tokyo

Event #9

Saturday 2 September 2017, 10.00 am

Franco Lorenzoni

Weaving relationships through silence and listening

Event #10

Saturday 2 September 2017, 11.45 am

Axel Fiacco, Massimo Scaglioni

From networks to formats: creativity on television

Event #13

Saturday 2 September 2017, 12.15 pm

Giorgio Manzi

In the web of deep history: Lucy, Neanderthals and other stories

Event #14Approfonditamente

Saturday 2 September 2017, 02.45 pm

Matteo Cerri

Keeping cool: hibernation and the exotic network of its physiology

Event #15

Saturday 2 September 2017, 03.00 pm

Nicola Gardini

The beauty of occurring. Ovid and the network of metamorphoses

Event #24

Saturday 2 September 2017, 11.00 pm

Alessandro Barbero

Clandestine networks. A network of partisans: the GAP groups in Rome and the attack in Via Rasella

Event #26

Sunday 3 September 2017, 10.00 am

Emanuele Biggi

Spiders, silk and spider webs: wonders of the unloved

Event #39

Sunday 3 September 2017, 09.00 pm

Centro Formazione Supereroi

Neverending stories. A challenge in literary improvisation

Event #41

Sunday 3 September 2017, 11.00 pm

Alessandro Barbero

Clandestine networks. A network of terrorists: the Red Brigades and the kidnapping of Aldo Moro

Event #48Children / Kids

Saturday 2 September_11.00 am_5.00 pm

Mook

The art of reclamation. DIY construction of a network of animals

Event #61Children / Kids

Sunday 3 September_4.00 pm_6.00

Else Edizioni

In your own words: from silent books to silk screen printing

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