2022 Programme
Event #6
Francesca Mannocchi
A view on the war, the war of the view
The past twelve months have redefined the world. Afghanistan first, with the Taliban regaining power. Then Ukraine, with the Russian invasion on February 24th. In both cases, the core are always the direct and indirect victims: the women of Afghanistan, a country where education and bodies are once again prohibited, and the civilian victims in Ukraine. The narrators of great events must bring order between the opposite world views and the propaganda and its effects on public opinion. The 2021 Afghan summer and the war in Ukraine have forced new questions on how to look at wars. How similar are the events that are again dividing the world into areas of influence? And how much has our lazy, or worse, proud eyes failed to notice the changes all around us?
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Francesca Mannocchi,is a journalist and author who writes about migration and conflicts, contributing to Italian and international newspapers. She has covered several stories in Syria, Iraq, Palestine, Libya, Lebanon, Afghanistan, Egypt, Turkey, Ukraine, Yemen. She received the Premiolino Prize for journalism in 2016, the Ischia Prize for journalism and the Giustolisi Prize for her investigation on migrant trafficking and Libyan prisons. In 2018 the documentary Isis, Tomorrow. The Lost Souls of Mosul – directed with photographer Alessio Romenzi – was presented at the 75th edition of the Venice International Film Festival. She published: Porti ciascuno la sua colpa (Laterza, 2019), Libia (with Gianluca Costantini, ink Mondadori, 2019), Io Khaled vendo uomini e sono innocente (Einaudi, 2019), Bianco è il colore del danno (Einaudi, 2021) and Lo sguardo oltre il confine (DeAgostini, 2022).
ph. credits: Chiara Pasqualini
Event #2
Lilia Giugni, Lorenza Pieri
Digital revolution and gender-based violence. Global stories and perspectives.

Event #8
Carlo Alberto Redi, Manuela Monti
Where are we from? Who are we? Where are we going? (And where are we having dinner tonight?)

Event #8 BIS
Carlo Alberto Redi, Manuela Monti
Where are we from? Who are we? Where are we going? (And where are we having dinner tonight?)
